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ACT I
In her Paris salon, the courtesan Violetta Valéry greets party guests,
including Flora Bervoix, the Marquis dObigny, Baron Douphol, and Gastone,
who introduces a new admirer, Alfredo Germont. This young man, having adored
Violetta from afar, joins her in a drinking song (Brindisi: Libiamo).
An orchestra is heard in the next room, but as guests move there to dance,
Violetta suffers a fainting spell, sends the guests on ahead, and goes to her parlor
to recover. Alfredo comes in, and since they are alone, confesses his love
(Un dì felice). At first Violetta protests that love means
nothing to her. Something about the young mans sincerity touches her,
however, and she promises to meet him the next day. After the guests have gone,
Violetta wonders if Alfredo could actually be the man she could love
(Ah, forsè lui). But she decides she wants freedom
(Sempre libera), though Alfredos voice, heard outside, argues
in favor of romance. |
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ACT II, Scene 1
Some months later Alfredo and Violetta are living in a country house near Paris,
where he praises their contentment (De miei bollenti spiriti).
But when the maid, Annina, reveals that Violetta has pawned her jewels to keep the
house, Alfredo leaves for the city to settle matters at his own cost. Violetta comes
looking for him and finds an invitation from Flora to a party that night. Violetta has
no intention of going back to her old life, but trouble intrudes with the appearance of
Alfredos father. Though impressed by Violettas ladylike manners, he
demands she renounce his son: the scandal of Alfredos affair with her has
threatened his daughters engagement (Pura siccome un angelo).
Violetta says she cannot, but Germont eventually convinces her (Dite alla
giovine). Alone, the desolate woman sends a message of acceptance to Flora
and begins a farewell note to Alfredo. He enters suddenly, surprising her, and she can
barely control herself as she reminds him of how deeply she loves him (Amami,
Alfredo) before rushing out. Now a servant hands Alfredo her farewell note as
Germont returns to console his son with reminders of family life in Provence (Di
Provenza). But Alfredo, seeing Floras invitation, suspects Violetta has
thrown him over for another lover. Furious, he determines to confront her at the party. |
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ACT II, Scene 2
At her soirèe that evening, Flora learns from the Marquis that Violetta and Alfredo
have parted, then clears the floor for hired entertainers - a band of fortune-telling
Gypsies and some matadors who sing of Piquillo and his coy sweetheart (E
Piquillo un bel gagliardo). Soon Alfredo strides in, making bitter comments about
love and gambling recklessly at cards. Violetta has arrived with Baron Douphol, who
challenges Alfredo to a game and loses a small fortune to him. Everyone goes in to
supper, but Violetta has asked Alfredo to see her. Fearful of the Barons anger,
she wants Alfredo to leave, but he misunderstands her apprehension and demands that
she admit she loves Douphol. Crushed, she pretends she does. Now Alfredo calls in the
others, denounces his former love and hurls his winnings at her feet (Questa
donna conoscete?). Germont enters in time to see this and denounces his
sons behavior. The guests rebuke Alfredo and Douphol challenges him to a duel. |
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ACT III
In Violettas bedroom six months later, Dr. Grenvil tells Annina her mistress
has not long to live: tuberculosis has claimed her. Alone, Violetta rereads a letter from
Germont saying the Baron was only wounded in his duel with Alfredo, who knows all and
is on his way to beg her pardon. But Violetta senses it is too late (Addio del
passato). Paris is celebrating Mardi Gras and, after revelers pass outside, Annina
rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris forever
(Parigi, o cara). Germont enters with the doctor before Violetta is seized with
a last resurgence of strength. Feeling life return, she staggers and falls dead at her
lovers feet. |
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